Such was the vision undergirding the notion of the "long tail", which posited that the on-line marketplace would provide virtual shelf-space for products that bricks-and-mortar stores were unable to display. In his view, the goal of music distribution in the era of digitization should be to enable as many musicians as possible to earn a reasonable sum for their efforts. The Swedish streaming service has fostered a music-distribution model that is singularly hostile to the interests of working musicians. When it comes to the current state of music and its modes of distribution, Ross is unequivocal. But the question, from the 17th century onwards, has been-at what price? Is it a win-win situation, or does it lead to the imbalance of power between the two sides? Fast forward from the Licensing Act and the Statute of Anne to the present. Such intermediaries expanded the reach and commercial potential of creators. Distinctive about the copyright system was the appearance of these intermediaries, be those who reproduce the works, or those who distribute them. Of course, there were creators before the advent of the copyright system. Rogan's base of listeners) will remain available for Spotify subscribers.Īgainst that background, Alex Ross, the music critic of The New Yorker magazine, has argued that the "Joe Rogan affair" also highlights the imbalance of power between creators, on the one hand, and the publishers/commercializers/distributors, on the other. Rogan's podcast program (for which Spotify reportedly paid $100 million dollars, reflecting the monetizing potential for the company derived from Mr. Rogan's podcasts and provided guidelines for any podcast that deals with the pandemic. It appears that Spotify has removed seventy of Mr. Most of the discussion that has followed has focused on the tension between freedom of expression, the obligations of the host platform (in the reported words of the CEO of Spotify-“It is important to me that we don’t take on the position of being content censor”), and the interests of public health. They alleged that some of Rogan's podcasts were spreading misinformation about Covid-19. First Neil Young, followed by Joni Mitchell, demanded that Spotify, the exclusive distributor of Rogan's podcast, reportedly the most-listened to podcast in the world, remove their music from the platform. Kat readers may be aware of the recent dispute over podcaster Joe Rogan.
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